These kinds of films have an artificial look about them that reminds me of the old projected backdrops which Michel Gondry and Quentin Tarantino still use frequently. It's an interesting look and the possibilities of combining 2d, CG, and real world elements has a lot of untapped potential.
That said, it can look either dreamy or plastic depending on the implementation and more often than not, it veers into the latter. For Now & Nowhere though, I like the surreal feel and colour palette. It will be interesting to see this in full.
My interview with Brent Bonacorso will be appearing on SiouxWIRE in the coming weeks.