Friday, 27 May 2011
The multiple interpretations of Hieronymus Bosch's surreal, strangely modern Garden of Earthly Delights make interesting reading. A high resolution image of the piece is available HERE for your own review and the Wiki entry provides a solid starting point for your own exploration of the work. As usual, additional links are listed at the end of this post.
Garden of Earthly Delights Wiki
Hieronymous Bosch Wiki
The World of Bosch (Smithsonian Magazine, 1988)
Thursday, 26 May 2011
Having seen the headline "Liger cubs nursed by dog in China's Xixiakou Zoo" on the BBC website, I couldn't help but be pulled in by this unexpected turn of events. Pregnant with metaphor, it's like a bit of living mythology.
Liger cubs nursed by dog in China's Xixiakou Zoo (BBC)
Wednesday, 25 May 2011
"Malcolm Sutherland is an animator / illustrator originally from Calgary, Alberta. He studied printmaking at the Alberta College of Art and Design before moving to Montreal in 2002 to direct a short animated film at the National Film Board of Canada. He also studied film at Concordia University. He has produced several comic books, including OOLA DUG in 2007. Malcolm currently lives in Montreal with his wife Anna."
Thursday, 19 May 2011
In his films, Lars Von Trier uses difficult and contentious elements as a lightning rod to bring to the surface hidden elements of ourselves. It's no different in his interaction with the press and public. And in this case, the reaction to the comments he made is far scarier than the comments he made.
It should also be noted that since, he has said "If I have hurt someone this morning by the words I said at the press conference, I sincerely apologise. I am not antisemitic or racially prejudiced in any way, nor am I a Nazi." It was an extension of the ethos presented in his film The Idiots challenging the establishment through provocation.
The recent decision by Cannes to expel him and label him a "persona non grata" is extraordinary and marks a downturn in the legitimacy of the festival itself. For some time it has been in decline, feeling more like a tradeshow than any sort of festival with artistic merit and this latest decision to expel one of its contenders doesn't sit right with its heritage as an open and forward thinking forum.
Von Trier's work is provocative and at times uncomfortable revealing truths that some want to deny, but he always serves up something to think about and his latest comments reflect his work in that it has brought to the surface reactions based on indoctrination rather than thought. I'm sure many who have spoken against him are just answering an inner call to prove themselves good people ("I don't like Nazis!") while actually feeding a fascist, mob mentality without even realising it--good intentions paving the road to hell.
People like to think in black-and-white and prefer it if people say what they mean, but there are gradations and using language to provoke either by sarcasm or tongue-in-cheek misdirection is valid. It's just a shame that the organisers of Cannes lost sight of that.
Cannes Bans Von Trier After Hitler Remarks (New York Times)
Witch Hunt or Wise Move? (Routers)
Cannes Film Festival Bans Lars Von Trier (Guardian)
Friday, 4 March 2011
"Ofer Wolberger (b. 1976) is an artist who lives and works in New York City. He is the recipient of The Humble Arts Foundation Spring 2008 Grant for Emerging Photographers. He was a finalist for both the BMW Paris Photo Prize in 2008 as well as the Prix HSBC pour la Photographie in 2009. His photographs have been collected and exhibited internationally. In 2009 his project Life with Maggie, was exhibited at Michael Hoppen Gallery in London and at C/O Berlin. Next year Life with Maggie will be exhibited at VU in Quebec. He is currently working on a series of 12 self-published artists books collectively known as The Photographic Book Project.
Ofer is a member of the POC Project."
Ofer Walberger (Conscientious) SOURCE
Thursday, 3 March 2011
"The age of information in physical form is waning. As intangible routes thrive with quicker fluidity, material and history are being lost, slipping and eroding into the ether. Newer media swiftly flips forms, unrestricted by the weight of material and the responsibility of history. In the tangible world we are left with a frozen material but in the intangible world we may be left with nothing. History is lost as formats change from physical stability to digital distress.
The richness and depth of the book is universally respected yet often undiscovered as the monopoly of the form and relevance of the information fades over time. The book’s intended function has decreased and the form remains linear in a non-linear world. By altering physical forms of information and shifting preconceived functions, new and unexpected roles emerge. This is the area I currently operate in. Through meticulous excavation or concise alteration I edit or dissect communicative objects or systems such as books, maps, tapes and other media. The medium’s role transforms. Its content is recontextualized and new meanings or interpretations emerge.Explanation of Process
In this work I begin with an existing book and seal its edges, creating an enclosed vessel full of unearthed potential. I cut into the surface of the book and dissect through it from the front. I work with knives, tweezers and surgical tools to carve one page at a time, exposing each layer while cutting around ideas and images of interest. Nothing inside the books is relocated or implanted, only removed. Images and ideas are revealed to expose alternate histories and memories. My work is a collaboration with the existing material and its past creators and the completed pieces expose new relationships of the book’s internal elements exactly where they have been since their original conception."
Brian Dettmer (Flickr)
Brian Dettmer (Toomey Tourell)
Brian Dettmer interview (YouTube)
Brian Dettmer (Wiki)
Tuesday, 1 March 2011
Monday, 28 February 2011
Sunday, 27 February 2011
"The Backwater Gospel is the bachelor projects of eight students at The Animation Workshop. It's an animated short about a small, isolated community in the Dust Bowl of the 1930's, a minister hell-bent on ruling his flock and an undertaker who always precedes death."
The Backwater Gospel Blog
The Animation Workshop
The Animation Workshop (Vimeo)
Friday, 25 February 2011
Thursday, 24 February 2011
This is an odd little short from Sandro Miller featuring John Malkovich.
"I have this idea in my mind for a painting about butterflies. Blue and green and yellow butterflies, tumbling out of my brain. I think it’s going to be good. I feel like I can almost touch them... like they’re right there for me to grab as they’re flying away... out of my skull and taking all those dark thoughts and little devils with them. Just fluttering away and leaving the good stuff behind. Butterflies. I’m going to get my canvas and my paints. I think I’m all better. I think I’m ready to leave."
Design/VFX - Gentleman Scholar
Creative Directors - Will Johnson & William Campbell
Producer - Tyler Locke
Executive Producer - Rob Sanborn
Editor - Josh Bodnar/The Whitehouse
Designers/Compositors - William Campbell, Will Johnson, Tommy Wooh, Daniel Blank, Paul Yeh, Heather Aquino, Claudia Yi Leon, Joseph Chan
Director - Sandro Miller
Music Composer - Matt Hutchinson
Sandro Miller Wiki
Gentlemen Scholar (Vimeo)
Tuesday, 22 February 2011
"My interest in photography arises from an urge for self-expression. It is the
product of my research into the search for identity. In reflection on my own
experience of life, I am moved to ask questions about the meaning of identity.
I ask, for example, how identity is expressed in our lives. I wish to explore the
relationship between the individual presenting his / her personality and the
society to which he / she presents it. As a being in society, I wish to use images
as a means of conveying impressions as I receive them, and open them to
I do not see photography as a means of describing objective truth. Rather, I see
subjectivity in selecting and constructing the content. I recognize that photography
always offers the possibility of multiple interpretations. The subjectivity of creating
construction combined with a recognizable reality tempts the viewer to forget the
mediating function of photography. One is tempted to believe that one sees the
situation itself with the help of the picture. But a photograph is a product of artistic
For me, the most fascinating capacity of photography is its capacity to portray a
moment as a picture and to capture an essence of the event. My photograpic
series are composed of different fragments of reality put in relation to each other.
While photographing, I watch people very closely. I choose situations in which
I believe people are described in an honest way; but the fact remains that I do
choose the scenes I photograph, and what kind of message I construct by
combining these images. I feel a responsibility to the people I wish to portray,
and therefore I work very carefully, choosing the situations in which I photograph,
and selecting the pictures which I show in public."
Andreas Weinand (Conscientious) source
Monday, 21 February 2011
Another graduation film from a talented team of students from Gobelins, l’école de l’image. This 3-minute short has a sumptuous visual style and the team involved have documented much of their work in their individual blogs. It won "Best Graduation Film" at Annecy 2010.
The Lighthouse Keeper (Vimeo)
Sunday, 20 February 2011
Magnificent Butcher (IMDB)
Franklin Einsbruch source
Magnificent Butcher (Wiki)
Magnificent Butcher (LoveHKFilm.com)
Saturday, 19 February 2011
I find Daniel Palacios' work extremely beautiful, engaging, and thought-provoking. His work Waves has received a lot of attention in the blogosphere. Though not without reason, I prefer Intrusiones which illustrates sounds and its influence over time. That said, his entire catalogue is worthy of attention.
"The work of Daniel Palacios (Cordoba, 1981), an artist educated in sciences who graduated with a degree in Fine Arts, develops by applying the relations of art, science and technology to space and the perceptual systems as a result of his postgraduate studies which earned him Masters degrees in Art and Technology and Art in the Public Sphere.
Works such as ‘Waves’, ‘Outcomes’ and ‘Kill the Process’ have brought him to exhibitions like ‘Synthetic Times’ at the National Art Museum de China [NAMOC] and ‘El Discreto Encanto de la Tecnología (The Discreet Charm of Technology)’ at the Museo Extremeño e Iberoamerica of Contemporary Art [MEIAC] in Badajoz, the prestigious Neue Gallerie of Graz (Austria) and Zentrum für Kunst und Medientechnologie [ZKM] in Karlsruhe (Germany), one of the main sanctuaries for electronic art on a global level, in addition to taking part in such international fairs as ARCO and festivals of the stature of ARS Electronica of Linz (Austria). His work has received major recognition, including the second VIDA9.0 Art and Artificial Life awards and support for production of his work from the PROPUESTAS programme of the Arte y Derecho Foundation, in addition to being awarded an artist residency at Casa Lutetia (Sao Paulo, Brazil), published in the MIT Press specialist magazine ‘Leonardo’ in “Art from Andalusia for the 21st Century’ coordinated by Ivan de la Torre Amerighi, and the recent Tames & Hudson publication of ‘Art and Science Now: How Scientific Research and Technological Innovation are Becoming Key to 21st-Century Aesthetics’ by professor Stephen Wilson.
He has also given workshops and conferences on the combined use of technology and plastic arts in such schools and centres as the FAAP School of Plastics Arts (Brazil), School of Fine Arts of La Laguna (Tenerife), CRCC (Palma de Mallorca), Institute of Advanced Architecture of Catalonia, IAAC (Barcelona), File Symposium at the SESI Gallery (Brazil), Science Week at the Centre of Contemporary Art in Malaga…
Concerning information and electronic technology as tools for creating a process more than achieving a defined representation. Although it encompasses different themes, his work is a set of relationships with the surrounding environment: whether with the physical space itself as we perceive it or what phenomena are happening in it. In a certain sense, he creates situations which invite reflection or represent his own reflections at a specific moment of his research concerning perceptions and the manner in which they influence the way we relate to them.Contact with reality and plastic languages is a major aspect of his work, which seeks to create situations and not simulations, utilizing ‘reality’ in his installations with the goal of creating plastic, non-digital results. Technology allows him to control what factors come into play in that space, in what measure and what their effect will be. In this way, the public is an indispensable part of the work by participating in its process, while the artist in turn can study their reactions, the one factor he cannot control and the vital aspect of his work."
Daniel Palacios (Vimeo)
Friday, 18 February 2011
Thursday, 17 February 2011
"For several years Shoplifter has worked exploring the use and symbolic nature of hair, and its visual and artistic potential. It started as a discovery in an antique shop, a lock of hair encased as a keepsake and shaped as a flower, and has since evolved as an exploration of hair’s meaning - from strength, self-image and beauty, to vanity, decoration and fashion.
Shoplifter has said of her work, “Vanity is to a different extent on the surface of my work and sometimes it appears only vaguely or in an abstract way, but it plays a role whether it is visible in the work or only in the air when I make it. I really respect the human need to decorate oneself and one’s environment, be it driven by vanity and obsession or sincere love for beauty, which in and of itself is vanity at its best.”
Shoplifter has often collaborated with Björk, who used her hair sculptures for the art for her album Medúlla. Other collaborations include Assume Vivid Astro Focus, , ThreeAsFour, and Victoria Bartlett’s VPL.
Shoplifter has exhibited extensively in the US and Europe, most notably at Museum of Modern Art (MoMA) in New York, where she was commissioned to produce a window installation in collaboration with a.v.a.f. Other exhibition venues include The Reykjavik Art Museum, Iceland, White Columns, New York, Amy Smith-Stewart Gallery, New York, Colette Art Gallery, London, Deitch Projects, New York, Creative Time, New York, Gavin Brown Enterprise, New York and The Kitchen, New York."
Shoplifter (The Selby)
Hrafnhildur Arnardottir (Museum of Contemporary Craft)
Hrafnhildur Arnardottir (ArtNet)
Hrafnhildur Arnardottir (Under the Glacier)
Wednesday, 16 February 2011
I've only just discovered this in an announcement of a second season of this collection of shorts. The new season comprises 13 two-minute episodes from writer/director Wataru Arakawa with music from Usui Yoshiyuki and animation from Jinni's Animation Studios.
The story centres around a female robot duchess named Drosel von Flügel and her guardian servant robot Gedächtnis.
The videos below contain the trailer for the upcoming season as well as a compilation of the freshman outing. Unfortunately, it's dialogue heavy and in original Japanese without translation. That said, the Chris Cunningham-influenced designs are fun and I like Usui Yoshiyuki's music.
Fireball Charming (YouTube)
Jinni's Animation Studios
Tuesday, 15 February 2011
Monday, 14 February 2011
If anyone is familiar with this issue, assistance would be welcome. I'll be working on it and will post an update as soon as it is resolved.
all the best,