I find Daniel Palacios' work extremely beautiful, engaging, and thought-provoking. His work Waves has received a lot of attention in the blogosphere. Though not without reason, I prefer Intrusiones which illustrates sounds and its influence over time. That said, his entire catalogue is worthy of attention.
"The work of Daniel Palacios (Cordoba, 1981), an artist educated in sciences who graduated with a degree in Fine Arts, develops by applying the relations of art, science and technology to space and the perceptual systems as a result of his postgraduate studies which earned him Masters degrees in Art and Technology and Art in the Public Sphere.
Works such as ‘Waves’, ‘Outcomes’ and ‘Kill the Process’ have brought him to exhibitions like ‘Synthetic Times’ at the National Art Museum de China [NAMOC] and ‘El Discreto Encanto de la Tecnología (The Discreet Charm of Technology)’ at the Museo Extremeño e Iberoamerica of Contemporary Art [MEIAC] in Badajoz, the prestigious Neue Gallerie of Graz (Austria) and Zentrum für Kunst und Medientechnologie [ZKM] in Karlsruhe (Germany), one of the main sanctuaries for electronic art on a global level, in addition to taking part in such international fairs as ARCO and festivals of the stature of ARS Electronica of Linz (Austria). His work has received major recognition, including the second VIDA9.0 Art and Artificial Life awards and support for production of his work from the PROPUESTAS programme of the Arte y Derecho Foundation, in addition to being awarded an artist residency at Casa Lutetia (Sao Paulo, Brazil), published in the MIT Press specialist magazine ‘Leonardo’ in “Art from Andalusia for the 21st Century’ coordinated by Ivan de la Torre Amerighi, and the recent Tames & Hudson publication of ‘Art and Science Now: How Scientific Research and Technological Innovation are Becoming Key to 21st-Century Aesthetics’ by professor Stephen Wilson.
He has also given workshops and conferences on the combined use of technology and plastic arts in such schools and centres as the FAAP School of Plastics Arts (Brazil), School of Fine Arts of La Laguna (Tenerife), CRCC (Palma de Mallorca), Institute of Advanced Architecture of Catalonia, IAAC (Barcelona), File Symposium at the SESI Gallery (Brazil), Science Week at the Centre of Contemporary Art in Malaga…
Concerning information and electronic technology as tools for creating a process more than achieving a defined representation. Although it encompasses different themes, his work is a set of relationships with the surrounding environment: whether with the physical space itself as we perceive it or what phenomena are happening in it. In a certain sense, he creates situations which invite reflection or represent his own reflections at a specific moment of his research concerning perceptions and the manner in which they influence the way we relate to them.Contact with reality and plastic languages is a major aspect of his work, which seeks to create situations and not simulations, utilizing ‘reality’ in his installations with the goal of creating plastic, non-digital results. Technology allows him to control what factors come into play in that space, in what measure and what their effect will be. In this way, the public is an indispensable part of the work by participating in its process, while the artist in turn can study their reactions, the one factor he cannot control and the vital aspect of his work."
Daniel Palacios (Vimeo)