Showing posts with label blog. Show all posts
Showing posts with label blog. Show all posts

Saturday, 18 May 2013

SiouxWIRE Update


Some of you may have been wondering why there haven't been as many posts this week and what is happening. First, there are more than 50 interviews outstanding at the moment. This is terrific news but I have a policy of not pushing people to reply quickly giving them no time constraint or deadline as this tend to deliver the best, most considered replies. Second, I have forgone publishing everything I've found as my Tumblr and Pinterest accounts do this very well. Essentially, I've reserved the WIRE for interviews and longer posts.

I am so eager to share with you the incredible line up of people who will be featured in the coming months. I've interviewed talented artists from every corner of the world across a wide array of mediums including those just starting their career to the established and renowned. With the help of noble interpreters and unprecedented support from galleries, things are going very well. It won't be long before things hit critical mass and the interviews can run to the circadian rhythm I would like.

As a side note, the layout of the site is still undergoing some updates and in the mid term some very big changes are in the works. Older interviews and posts will also be updated with new material and larger images. So bear with me while SiouxWIRE ramps up to something wonderful and thank you all for your support.

all the best,
Siouxfire


*image above from The U.S. National Archives with modification



Saturday, 11 May 2013

SiouxWIRE Sensory Interviews


At the moment, interviews are everywhere which is fine for me because not all of them are terribly good. Still, with sites like Formspring about and questions being thrown to and fro, it does throw up some problems. As an example, there is Björk who I have been doggedly pursuing for an interview for many years and what does she do? She puts a Q&A on her site. It was bad enough that she's done dozens if not hundreds of interviews. It got me to start thinking about how I approach people who have been interviewed to death. Intelligent questions are fine but I thought there has to be a better way.

Then it hit me. Rather than ask questions, why not ask artists to react to images and sound? Let them share their reactions to sensory inputs that apply directly to their craft. It seems a pure way of going about an interview which has the potential to illicit more unpredictable responses and potentially something more illuminating and poetic. I've started this experiment with upcoming interviews some of which are a hybrid of the standard interview with some sensory questions and some entirely sensory in the form of pictaviews and sonoviews.


For those who are suffering "interview fatigue", this has been something of a boon and the response has been fantastic. For me, I'm very excited to see how this will develop. And I was hoping that it would to a certain extent save time in writing questionnaires but it doesn't. I still do my research into the respondent and finding the right imagery and sounds as well as getting the right permissions required for those falling outside of creative commons takes about the same amount of time (if not longer) as putting together a list of questions. In time, I'll have a better idea of what does and does not work and it should get easier.

My preferred interview method is in person or by phone as this enables me to enjoy a more Cigarettes & Coffee kind of atmosphere that's more relaxing for both parties and tends to produce the best results. That said, I think I will integrate sensory interview elements into these conversations as well though for the moment, it's strictly for postal and email interviews.

The big question is whether you, the reader, will find it interesting. Recently, you probably noticed that I no longer post images I find on SiouxWIRE as that works much better via Tumblr and Pinterest. In fact, there's an absolute tsunami of interesting stuff pouring out of every orifice of the internet. The whole idea around the revamp of this site is to differentiate it from those other sources and provide added value. To achieve this, I've upped my game as far the interviews go and this includes the sensory interview experiment  Only time will tell how this pans out but as the interviews are published in the coming weeks, I would be interested to hear what you think about the new format.

Many thanks,
Siouxfire

P.S. Your recent support is appreciated. I've also just set up an official Facebook page HERE where a "like" is always welcome.



Wednesday, 3 April 2013

SiouxWIRE Film Reviews


As you may have noticed, I've crossed the line into reviews with my recent posts and I thought I'd take the time to explain the reasoning behind it. First, my aim is to write reviews that are "spoiler free". I go into movies with as little knowledge as possible and I've found it strengthens the experience. When I enjoy a film, I would love for everyone to at least have the same chance of experiencing what I have and that requires that you too go into the film knowing as little as possible about the narrative. Beyond the basic premise and carefully chosen imagery, I'll only go into how I felt the film worked in broad terms and specifically in regard to performances, cinematography, scripting, and other aspects of the film that can be reviewed without spoiling the voyage of actually seeing the film.

The next point you may ask is how my opinion might matter more than anyone else. Well, it doesn't really. That said, I have seen an inordinate number of films. My estimate is just passing over 10,000 to date which is just under 2 years of my life based on films averaging out to be about 100 minutes. Now, this gives me a lot of reference with which to approach reviewing a film but it also means that my perspective is probably not in synch with many. Factor in the taste element of my reviews (or any review) and really, you should only take it as a guide. The bottom line is that these reviews are for me more than anyone else. I enjoy writing them and if anyone finds them helpful or interesting, that's a nice bonus.

My film viewing began in the 1970s as a child with an older sister who was very liberal about allowing me to rent and attend films well beyond my age. I saw The Shining at 10 years old in a cinema complete with David Lynchian red curtains and balcony. The smell of popcorn, the flickering light and sound of the projector, the art-deco cinemas and drive-ins... the movie theatre was my escape, a telescope that let me see beyond the horizon. That obsession with celluloid never ceased and the hunger never diminished.

Again, these reviews are written for me but I do hope that they serve to guide, inform, and entertain along the way but don't take them too seriously. And as always, feedback is always welcome.

Thursday, 19 May 2011

LARS VON TRIER vs. CANNES or "It's okay to BE fascist, but not JOKE about it"

Link
In his films, Lars Von Trier uses difficult and contentious elements as a lightning rod to bring to the surface hidden elements of ourselves. It's no different in his interaction with the press and public. And in this case, the reaction to the comments he made is far scarier than the comments he made.



It should also be noted that since, he has said "If I have hurt someone this morning by the words I said at the press conference, I sincerely apologise. I am not antisemitic or racially prejudiced in any way, nor am I a Nazi." It was an extension of the ethos presented in his film The Idiots challenging the establishment through provocation.

The recent decision by Cannes to expel him and label him a "persona non grata" is extraordinary and marks a downturn in the legitimacy of the festival itself. For some time it has been in decline, feeling more like a tradeshow than any sort of festival with artistic merit and this latest decision to expel one of its contenders doesn't sit right with its heritage as an open and forward thinking forum.

Von Trier's work is provocative and at times uncomfortable revealing truths that some want to deny, but he always serves up something to think about and his latest comments reflect his work in that it has brought to the surface reactions based on indoctrination rather than thought. I'm sure many who have spoken against him are just answering an inner call to prove themselves good people ("I don't like Nazis!") while actually feeding a fascist, mob mentality without even realising it--good intentions paving the road to hell.









People like to think in black-and-white and prefer it if people say what they mean, but there are gradations and using language to provoke either by sarcasm or tongue-in-cheek misdirection is valid. It's just a shame that the organisers of Cannes lost sight of that.

Links:
Cannes Bans Von Trier After Hitler Remarks (New York Times)
Witch Hunt or Wise Move? (Routers)
Cannes Film Festival Bans Lars Von Trier (Guardian)

Monday, 14 February 2011

VIDEO EMBEDDING ISSUE

Hello everyone. Just to give you a head's up that I've been having a video-embedding issue that's specific to Firefox which repeats the same embedded video across various posts. It is not a problem with the latest versions of Internet Explorer, Chrome, or Opera. That said, the Firefox issue is cleared up when the cache is cleared.

If anyone is familiar with this issue, assistance would be welcome. I'll be working on it and will post an update as soon as it is resolved.

all the best,
Sioux

Friday, 27 August 2010

MOVING HOUSE


I'll be moving house so there will be around a one week break on the WIRE until everything gets settled. In the meantime, follow the links to our friends or why not browse through the archive.

Thanks again for your support and enjoy the twilight of the summer.

Tuesday, 24 August 2010

'Ground Zero mosque'? The reality is less provocative


"When I heard about it – in passing, in a soundbite – I figured it was a US example of the sort of inanely confrontational fantasy scheme Anjem Choudary might issue a press release about if he fancied winding up the tabloids for the 900th time this year. I was wrong. The "Ground Zero mosque" is a genuine proposal, but it's slightly less provocative than its critics' nickname makes it sound. For one thing, it's not at Ground Zero. Also, it isn't a mosque.

Wait, it gets duller. It's not being built by extremists either. Cordoba House, as it's known, is a proposed Islamic cultural centre, which, in addition to a prayer room, will include a basketball court, restaurant, and swimming pool. Its aim is to improve inter-faith relations. It'll probably also have comfy chairs and people who smile at you when you walk in, the monsters."

Read the full article HERE.

Links:
Charlie Brooker (The Guardian)

Monday, 23 August 2010

Saturday, 21 August 2010

The Lost (and Retained) Honour of JULIAN ASSANGE

At the end of a day that started with WikiLeaks founder Julian Assange being accused of rape and molestation in Sweden, Sweden's Chief Prosecutor, Eva Finne has now stated, "I don't think there is reason to suspect that he has committed rape." Prior to this withdrawal of an arrest warrant, Assange had stated, "The charges are without basis and their issue at this moment is deeply disturbing" and "We were warned to expect 'dirty tricks'. Now we have the first one."

So this leads one to ask the obvious question: Who was behind these allegations?

Here's another interview with Julian Assange:



Links:
Julian Assange hits out at smears (Guardian)
Julian Assange (SiouxWIRE)
WikiLeaks
Julian Assange (TED)
Julian Assange (The Guardian)

*Photo detail - Andrew Winning/Reuters

Tuesday, 10 August 2010

THE FRAGILE BLUE CRESCENT


I saw this image at No Caption Needed of Camp Hansen in the Helmand province of Afghanistan and it reminded me of a quote from Carl Sagan, "National boundaries are not evident when we view the Earth from space. Fanatical ethnic or religious or national chauvinisms are a little difficult to maintain when we see our planet as a fragile blue crescent fading to become an inconspicuous point of light against the bastion and citadel of the stars."

See the full-size image on this page (photo 15) and read the full quote from Carl Sagan's Cosmos below:

"The choice is with us still, but the civilization now in jeopardy is all humanity. As the ancient myth makers knew, we are children equally of the earth and the sky. In our tenure of this planet we've accumulated dangerous evolutionary baggage — propensities for aggression and ritual, submission to leaders, hostility to outsiders — all of which puts our survival in some doubt. But we've also acquired compassion for others, love for our children and desire to learn from history and experience, and a great soaring passionate intelligence — the clear tools for our continued survival and prosperity. Which aspects of our nature will prevail is uncertain, particularly when our visions and prospects are bound to one small part of the small planet Earth. But up there in the immensity of the Cosmos, an inescapable perspective awaits us. There are not yet any obvious signs of extraterrestrial intelligence and this makes us wonder whether civilizations like ours always rush implacably, headlong, toward self-destruction. National boundaries are not evident when we view the Earth from space. Fanatical ethnic or religious or national chauvinisms are a little difficult to maintain when we see our planet as a fragile blue crescent fading to become an inconspicuous point of light against the bastion and citadel of the stars. Travel is broadening."
- Carl Sagan, Cosmos (1980)

Friday, 9 October 2009

Thanks to those faraway


In the last year while things have been sporadic at best and static at worst as far as updates are concerned, things have been ticking over thanks to all of you visitors. The Imaginarium is nearing visitor 100,000 which is a humble milestone relative to some blogs but it wouldn't have happened without the unsolicited support I've received from around the globe.

Trawling through the visitors data, I wasn't surprised to find that our old friend Dek has contributed heavily toward traffic numbers on the Imaginarium from his site NoFatClips. I was also astonished to discover new and wonderful sites such as THIS, Sãosócoisas, and Zivvoug. Despite being non-English sites, through their links and media I've found kindreds; so heartening.

Also, thanks to all the other sites, subscribers and passers by who keep me going on fatigued, flu-burdened nights like this one.

Wednesday, 5 November 2008

PRESIDENT BARACK OBAMA

Remember, remember the fifth of November...

The Guardian has a gallery with some great photography from last night as well as thorough coverage of events. Worth a look.

Links:
Barack Obama Wiki
Alex Ross

Wednesday, 22 October 2008

Rageh Omaar's ISLAM IN AMERICA: The American Crescent

Rageh Omar's fascinating documentary Islam in America has been put online by Aljazeera. It makes for an apt accompaniment to Colin Powell's recent comments:
"Is there something wrong with being a Muslim in this country? The answer's no, that's not America.

"Is there something wrong with some seven-year-old Muslim-American kid believing that he or she could be president? Yet, I have heard senior members of my own party drop the suggestion - 'he's a Muslim and he might be associated with terrorists'. This is not the way we should be doing it in America."









Links:
Aljazeera
Aljazeera (YouTube)
Aljazeera magazine
Rageh Omaar profile (BBC)
Rageh Omaar Wiki
Rageh Omaar interview (Guardian)

Tuesday, 30 September 2008

ART FOR OBAMA

Founded by Ahndraya Parlato, Art for Obama is an online auction of photographs to benefit MoveOn.org; one of the most effective advocacy groups for the Obama campaign, who is also involved in respectful, and progressive issues that concern us all.

The collection brings together a satisfying and eclectic group of artists.

Fifty of the country's most prominent artists and photographers have donated their work for this cause. The auction will launch on October 1st and will run for one week. All proceeds from the auction will go to the Obama Campaign, to the Democratic National Committee and to non-profit organizations such as MoveOn.org, which are currently devoting their energy to helping the Obama campaign. Proceeds will be distributed in strict accordance with Federal Election Commission regulations.
The ART FOR OBAMA Photo Auction will start tomorrow (Wednesday, October 1, 2008) at 5pm EST(US) HERE and will continue through to the 10 October.




Links:
Art for Obama
MoveOn.org
Ahndraya Parlato (SiouxWIRE interview)

Thursday, 18 September 2008

Are you AFRAID? Or are you liberal?

Science have published what looks to be an interesting report in regard to political views and physiology. The abstract is below and a good (layman's) overview is available on the BBC HERE.
"Although political views have been thought to arise largely from individuals' experiences, recent research suggests that they may have a biological basis. We present evidence that variations in political attitudes correlate with physiological traits. In a group of 46 adult participants with strong political beliefs, individuals with measurably lower physical sensitivities to sudden noises and threatening visual images were more likely to support foreign aid, liberal immigration policies, pacifism, and gun control, whereas individuals displaying measurably higher physiological reactions to those same stimuli were more likely to favor defense spending, capital punishment, patriotism, and the Iraq War. Thus, the degree to which individuals are physiologically responsive to threat appears to indicate the degree to which they advocate policies that protect the existing social structure from both external (outgroup) and internal (norm-violator) threats."
** To read the full report requires subscription or one-off payment ($10)

Links:
Political Attitudes Vary with Physiological Traits (Science)
Science Journal
Political views all in the mind (BBC)

Friday, 30 May 2008

CIRCLE OF FEAR... or doughnut

What would T.E. Lawrence make of THIS? By these standards, McDonalds' uniform is reminiscent of Benito Mussolini or as one reply to the BBC article states, this "is like saying that UPS should change its brown uniform because it pleases the Hitler Youth."
"The US chain Dunkin' Donuts has pulled an advert following complaints that the scarf worn by a celebrity chef offered symbolic support for Islamic extremism."
Further insight into the mind that put forward this paranoid and reactionary thesis can be seen HERE. This ignorance reminds me of the case of Balbir Singh Sodhi who was gunned down in Arizona four days after 9/11. His killer bragged beforehand that he would "kill the ragheads responsible for September 11".

Links:

BBC News
Fox News

Monday, 19 May 2008

Postcard as Diamond



I have a small request from all of you that requires very little effort but will mean a great deal to a sick little boy for whom a calendar has become a countdown. Diagnosed with leukemia some months ago, he is beyond treatment and to keep himself going, he has taken to collecting postcards sent from various places. He's a part of my extended family and is currently living in Poland. At just 8 years old, it's an absolute tragedy.

What I'm asking is that anyone out there who is willing to send him a postcard, email me at sioux(at)siouxfire.com and I'll send along his name and address. For him, a postcard is a source of wonder and inspiration.

And for those of you who have blogs, please feel free to duplicate this post as you see fit.

All the best,
Sioux

Links:
Children with Leukemia (childhood cancer charity)
Leukemia Research (UK)
Leukemia (UCSF Children's Hospital)
Leukemia Wiki

NOTE: The image above features my own son and not the person in question

Thursday, 8 May 2008

Please stand by


A number of posts are in the pipeline though on some occasions the administration involved in getting clearance for imagery and interviews enters a doldrums.

Here's a little something just for Faen.


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