Monday, 23 July 2007


The work of Keetra reminds me of the pet projects of Amelie of Montmartre with their infusion of optimism and rich creative nature. Indeed, the parallels continue with the inspirational imagery provided in the course of this interview as well as her fascinating photobooth imagery.

Her creations demonstrate not only a mature aesthetic sensibility but a unique view of the world that is at once unpredictable yet consistently her own. A number of artists working commercially often find that their commercial work spills into their personal work, but in Keetra's case her personal work is dominant. It is her personal vision that permeates her commercial designs. They fit seamlessly with her independent creations.

With little background information available online, she has provided the following information as a background to her work:
A Character Profile of Keetra Dean Dixon, by Joshua Walton.
Some clarification, by Keetra Dean.

Keetra prefers the trashier version of a grilled cheese sandwich.
She used to live in an Igloo and fight bears on a daily basis for survival.

I was born & raised Alaskan.

She only eats the flesh of other designers.

I fall on the veggie side of things, but that never squelches my competitive nature.

She'll punch you (HARD) in the face if you say she can't live without electricity for a week.


She feels that cars move too slow and days move too quick.


If she ever went to prison she would design the best tats for people.
Oh, and one more thing, she can outshoot me at the gun range every time so keep her on your side for the zombie invasion.

Some standard stats:
Education: MFA, Cranbrook Academy of Art + BFA, Minneapolis College of Art & Design
Owns her own studio, From Keetra, in NYC. Often collaborates with the Time and Place Workshop.

And so with heaps of appreciation, I'm very pleased to present the following interview with Keetra.

SIOUXFIRE: Were you creative as a child? Were there any key moments while growing up that shape your work? And at what point did you decide that ‘art’ was your calling?
Both of my parents have had careers focusing on practical fabrication - seamstress & metal smith. So I grew up in a hands on environment, but I don't think I was any more or less creative than other children. I did make my first cash in high school doing portraits of friends & people in the community. It went from there.

SIOUXFIRE: Are there similarities between how you approach a personal and commercial project? And what are the differences?
KEETRA DEAN: I approach commercial work like I approach gift giving. "What would ____________(insert client name) REALLY want for their Birthday?" Where as un-commissioned work is a present all for me! It's problem solving VS a more indulgent exploration. Either way I am looking to make someone smile.

1 comment:

Sui said...

She is interesting and unique.. i like!

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