Thursday, 20 September 2007

JAMIE HEWLETT's "Phoo Action"

The BBC have announced an adaptation of Jamie Hewlett's Get the Freebies strip he did for Face magazine entitled "Phoo Action". It will be interesting to see how Hewlett's vision is brought to life particularly after the success of his operatic collaboration with Damon Albarn, "Monkey: Journey to the West".

From the BBC press release:
British actress Jaime Winstone (Kidulthood) will team up with America's Carl Weathers (Rocky, Predator) and Eddie Shin (ER) in Phoo Action, a kung-fu action drama for
BBC Three based on comic characters created by Jamie Hewlett.

Jaime, daughter of acclaimed actor Ray Winstone, takes on the colourful role of Whitey Action, an unruly teenage heroine who joins together with hapless Buddhist kung-fu cop Terry Phoo (played by Eddie Shin) to form an unlikely, but effective, crime-fighting team.

The year is 2012 and London is in the grip of mutant criminals. Only Terry Phoo and Whitey Action can save the nation, uniting to create chaos and comedy, mischief and mayhem to become heroes for a future generation. Ladies and gentlemen, welcome to the wonderfully warped world of Phoo Action.

UPDATE: And here's the trailer from BBC3...



Links:
BBC Press Release
Phoo Action MySpace
Film Ick post (source)
Monkey: Journey to the West (SiouxWIRE)

BLU'S "Fantoche"


This short from Blu takes his signature grafitti canvas and brings it to life through animation with interesting results. Also see the trailer below for the upcoming film on Blu, Megunica.

Tuesday, 18 September 2007

Interview: THE DIRECTOR OF "LYNCH"

Lynch is a unique documentary on David Lynch which intimately follows his creative process. Filmed over two years, the film follows David's journey through ideas as he completes his latest film, Inland Empire.

The director immersed himself in David's world, living and working with him over the two years enabling him to capture a more personal side to the artist.

Being the first interview with the director of Lynch, I feel priveleged and grateful that unseen forces have chosen SiouxWIRE to begin their campaign.


There's been a lot of speculation surrounding your identity. What is the intention in removing yourself (at least in name) from the production and do you feel it augments the documentary in any way by doing so?
MY CHOICE TO USE AS PSEUDONYM WAS A PERSONAL ONE AND IT IS SOMETHING THAT I DO WHENEVER I ENTER INTO ANYTHING CREATIVE. I HAVE HAD MANY PSEUDONYMS BEFORE AND COULD QUITE POSSIBLE HAVE MANY MORE. I NEVER EXPECTED THIS TO BECOME SUCH AN ISSUE, BUT I UNDERSTAND THE CURIOSITY IT SEEMS TO BE CREATING. IT IS UNFORTUNATE IF IT TAKES AWAY FROM THE FILM IN ANY WAY AND I HOPE THAT IT DOESN'T.


How did the project develop? And what did/do you hope to achieve with the documentary and what initially attracted you to the it?
I HAD KNOWN DAVID FOR YEARS BEFORE THE IDEA TO MAKE A FILM ON HIM CAME TO US----- THE INITIAL IDEA ACTUALLY BELONGS TO JON NGUYEN----- HE CALLED ME ONE DAY IN NEW YORK AND ASKED IF I THOUGHT DAVID WOULD LET US MAKE A FILM ABOUT HIM. I TOLD HIM I DID NOT KNOW BUT IT COULDN'T HURT TO ASK---- SO I HOPPED ON A FLIGHT AND MET WITH DAVID AT HIS HOME IN LOS ANGELES WHAT I WANTED TO ACHIEVE WITH THE DOCUMENTARY WAS TO BE ABLE TO GIVE PEOPLE A PERSONAL VIEW OF DAVID'S CREATIVITY----- CREATIVITY WHICH IS CONSTANTLY COMING OUT OF HIM. FROM THE TIME HE WAKES UP TO THE TIME HE GOES TO BED HE IS CREATING.


Monday, 17 September 2007

Interview: SARA POCOCK

Sara Pocock is a young animator who received considerable attention for her animated film Ballvaughan Story(see below). With the amount of Flash-based vector animation around, her hand crafted work is refreshing and reminiscent of Yuri Norstein's work. I hope to see the spark of her talent fully take flame in future.

How did Ballyvaughan Story come about? What was your interest in this period of history and how did you settle on using charcoal for its creation?
Well, the film came about as a result of direct contact with the real village of Ballyvaughan, Ireland. While I was studying animation as an undergraduate, I decided to take a semester off to study abroad and work on my own film. I don’t know what drew me to Ireland, but it seemed like the best possible place to go for inspiration. Ballyvaughan is located in a part of Western Ireland that’s dubbed “The Burren.” The landscape is incredible and almost otherworldly in nature.



I began studying at the Burren College of Art and met a local man named Jim Hyland, who was a bit like the town historian. He had this deep and vast pool of knowledge about the history of the village and I became interested in his stories immediately. I asked him if he wouldn’t mind sitting down for an interview and he agreed. He spoke for almost two hours, but one of the tales that really jumped out at me was a story about his mother and her involvement in the Troubles in 1921. It was then I knew I had my story for the animation. The original recording of Jim’s voice was used as narration for the piece to preserve the feeling of traditional oral storytelling.

Interview: MOTHER VULPINE

It is with regret that this interview with the members of Mother Vulpine comes at a turbulent time time for the band and there is some question as to whether this interview is for premonition or posterity.

Based in Leeds(UK), the band have created a guitar-driven gothic fable which has been supported by their artistic talents, not least Matthew Bigland's direction of their video for "Keep Your Wits Sharp".


First off, would you each introduce yourselves and what part you play in Mother Vulpine?

Matthew Bigland - vocals, guitar, visionary frontman
Lindsay Wilson - guitar, backing vocals, renegade female
Tom Hudson - bass, backing vocals, uncontrollable driving force
Ben Waddleton aka Shakes - drums, disco-maestro

On your MySpace it says the band members are the “Vulpine Siblings”. Are you really siblings? And how did the band form and what was the first single you recorded?
Vulpine Siblings refers to the concepts the band is based on - a dark, mythical tale envisaged by Matt, where a woman is left on her wedding night by a man who is said to have the heart of a wolf. She gives birth to their four children, and the true form of these children is unknown - human, wolf or both. The concepts of the band are based around that myth.


The band formed over a period of about four years, where Lins and Matt played guitar together and began the sounds and concepts later to become MV. A while later, they originally enlisted Tom's help as a guitarist, but realised he fitted perfectly as a mean bassist. In April last year, they came across Shakes and decided to give him a try. The dance influenced beats were just what they were looking for to complete the vision.

Almost exactly one year later, we are to release our debut single called Keep Your Wits Sharp (her words are quick). It was released May 2007 on Leeds label, On the Bone Records. We were lucky enough to record it with Justin Lockey from Yourcodenameis:Milo - after we sent him a demo, he called us the next day and was adamant he would record some of our songs. We've gone on to form a good friendship with the rest of the band and we're expecting to play with them later in the year.


At what age did you get into music?

I think music is something that is instinctually built into you – everyone has as much passion for it and that passion has come about in a few different ways – from Shakes learning drums as soon as he could hit a pan, Tom going to see gigs with his dad aged 7, Matt learning guitar from a young age but asking to be taught how to improvise instead of playing someone else’s songs, and Lins, a bit later as a teenager being completely inspired by the sounds a guitar could make.

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